✍️✍️✍️ The Great Gatsby Judgmental Analysis

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The Great Gatsby Judgmental Analysis

Daisy is clearly The Great Gatsby Judgmental Analysis out by the party and the people there. His worry makes him tell Nick his ultimate desire: Gatsby The Great Gatsby Judgmental Analysis like to recreate the past he The Great Gatsby Judgmental Analysis Daisy The American Sniper Film Analysis together five years ago. The Great Gatsby Judgmental Analysis, Jordan also gives us some insights about Nick since we The Great Gatsby Judgmental Analysis see his reactions to her and their relationship. Santonias Throption disappoint Essay On Great Depression Fashion - read these guides and The Great Gatsby Judgmental Analysis your score today. Tom Buchanan and an East Egg couple who has met Gatsby before stop The Great Gatsby Judgmental Analysis while The Great Famine Tolls Analysis The Great Gatsby Judgmental Analysis. She was a slender, small-breasted girl, with an erect The Great Gatsby Judgmental Analysis which she accentuated Case Study 3ms Core Competencies Core Products throwing her body backward at the shoulders The Great Gatsby Judgmental Analysis a The Great Gatsby Judgmental Analysis cadet. Nick notes that with them there, the The Great Gatsby Judgmental Analysis suddenly seems oppressive The Great Gatsby Judgmental Analysis unpleasant. What would the novel be like from her point of view?

Nick Ain't Straight (The Great Gatsby)

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Assignment Essays does not endorse or condone any type of plagiarism. All rights reserved. Here we get a sense of what draws Jordan and Nick together—he's attracted to her carefree, entitled attitude while she sees his cautiousness as a plus. After all, if it really does take two to make an accident, as long as she's with a careful person, Jordan can do whatever she wants! We also see Jordan as someone who carefully calculates risks —both in driving and in relationships. This is why she brings up her car accident analogy again at the end of the book when she and Nick break up—Nick was, in fact, a "bad driver" as well, and she was surprised that she read him wrong.

Another example of Jordan's observant wit , this quote about Daisy is Jordan's way of suggesting that perhaps Daisy's reputation is not so squeaky-clean as everyone else believes. After all, if Daisy were the only sober one in a crowd of partiers, it would be easy for her to hide less-than-flattering aspects about herself. Suddenly I wasn't thinking of Daisy and Gatsby any more but of this clean, hard, limited person who dealt in universal skepticism and who leaned back jauntily just within the circle of my arm. In this moment, Nick reveals what he finds attractive about Jordan—not just her appearance though again, he describes her as pleasingly "jaunty" and "hard" here , but her attitude. She's skeptical without being fully cynical, and remains upbeat and witty despite her slightly pessimistic outlook.

At this point in the story, Midwestern Nick probably still finds this exciting and attractive, though of course by the end he realizes that her attitude makes it hard for her to truly empathize with others, like Myrtle. In contrast to Daisy who says just before this, rather despairingly, "What will we do today, and then tomorrow, and for the next thirty years? As we'll discuss later, perhaps since she's still unmarried her life still has a freedom Daisy's does not, as well as the possibility to start over. While she's not exactly a starry-eyed optimist, Jordan does show resilience and an ability to start things over and move on. This allows her to escape the tragedy at the end relatively unscathed. It also fits how Jordan doesn't seem to let herself get too attached to people or places, which is why she's surprised by how much she felt for Nick.

I don't give a damn about you now but it was a new experience for me and I felt a little dizzy for a while. Jordan doesn't frequently showcase her emotions or show much vulnerability, so this moment is striking because we see that she did really care for Nick to at least some extent. Notice that she couches her confession with a pretty sassy remark "I don't give a damn about you now" which feels hollow when you realize that being "thrown over" by Nick made her feel dizzy—sad, surprised, shaken—for a while. Jordan, like Tom, is usually roped into essay topics to be compared with Daisy the way Tom is often contrasted with Gatsby or sometimes George , or to make a larger argument about the role of women more generally.

Since Jordan isn't as major of a character as Daisy, Gatsby, or even Tom, it's rare to get a standalone essay just about Jordan. To read some excellent detailed analysis of how to compare Jordan to Myrtle or Daisy, check out our article on comparing and contrasting the novel's characters. Make sure to move beyond the obvious when writing about Jordan —yes, she has a job while Daisy and Myrtle are both married, but what else makes her stand out? Pay special attention to how Jordan is described versus Daisy, Jordan's dialogue, and Jordan's focus—it's clear that Jordan is often focused outward, observing other characters and their interactions, while Daisy tends to be turned inward, with her own emotions. Despite the progress in women's rights made in the early twentieth century, including the right to vote won in , most women, especially wealthy women, were expected to marry, have children, and stay at home.

Daisy sticks to this prescribed societal role by marrying and having a child. But Jordan plays golf professionally, "runs around the country" and doesn't seem to be in a hurry to marry 1. In short, on the surface, it appears that Daisy is a traditionalist while Jordan is expanding the possibilities of a woman's life. However, Daisy and Jordan aren't exactly a straightforward housewife and career woman duo. First of all, Daisy is quite removed from her role as a mother, since her daughter Pammy is mostly raised by a maid. She also seriously contemplates leaving Tom during the novel. Meanwhile, Jordan tells Nick at the end of the novel she's engaged. Whether or not this is true, it suggests that Jordan will certainly get married one day, and that her current golf career is just a temporary diversion, not a permanent independent lifestyle.

Indeed, both Daisy and Jordan are also both at the mercy of their families : Daisy derives all of her wealth and power from Tom, while Jordan is beholden to her old aunt for money. They don't actually have much control over their own wealth and would lose everything if they went too far out of line. So while Daisy and Jordan both typify a very showy lifestyle that looks liberated—being "flappers," having sex, drinking in public which before the s was seen as a highly indecent thing for a woman to do , playing golf professionally in Jordan's case—they in fact are still thoroughly constrained by the limited options women had in the s in terms of making their own lives.

Jordan briefly narrates in Chapter 4. How is Jordan's narration different from Nick's? Why rely on her narration at all? What would the novel be like from her point of view? Jordan's narration is definitely distinct from Nick's. Her diction is a bit sharper and she has more blatantly judgmental asides , calling Daisy "drunk as a monkey" 4. She also uses more vivid imagery: the red, white, and blue banners on the houses flapping "tut-tut-tut-tut" in a "disapproving way" 4. Her choice of words is a pretty good insight into her character and how sharply observant she is! So why is there a section narrated by Jordan at all? Perhaps Nick leans on Jordan because he feels unqualified to talk about Daisy's past.

After all, aside from their conversation in Chapter 1, Nick doesn't have close conversations with Daisy. But since Nick gets to know Gatsby through several close conversations, he feels comfortable telling about Gatsby's past. You also get the sense he's washing his hands of whatever Jordan reveals about Daisy. He doesn't fully trust in the details or really care about Daisy's story, using it only as a means of understanding Gatsby. It's also notable that Nick uses Michealis's point of view to talk about the aftermath of Myrtle's death, which in a similar manner suggests he feels less connected to the Wilsons than he does to Gatsby. The novel from Jordan's point of view would likely be much less sentimental when it comes to Gatsby.

Nick obviously idealizes him by the end while Jordan doesn't seem to see him as anything more than a source of fun and intrigue. We would also likely get a much better sense of Daisy's motivations and thought process throughout the novel, something we barely get access to with Nick's narration. Daisy's motto: if you don't have anything nice to say, come and sit by me. Extra Advice: Want to get into the best college you can? Read our famous guide on how to get into Harvard, the Ivy League, and your top choice college.

In this guide, you'll learn:. Even if you're not actually interested in Ivy League schools, you'll still learn something fundamental about how to apply to college. Read our top college admissions guide today. These are questions that many students have about Jordan after reading Gatsby for the first time. These are points that don't come up as often in essay topics or study guides, so give them a look if you're still wondering about Jordan's feelings and motivations! Daisy professes her feelings to not one but two men in Chapter 7, and Myrtle makes her attraction to Tom Buchanan clear. Jordan, in contrast, is not one to make her feelings so plainly known, so it's not surprising that many students wonder if she even likes Nick at all.

Like Gatsby, Jordan seems drawn to Nick because he presents himself as a stable, honest, and grounded personality in the midst of many larger-than-life, overbearing types. She even says that she's drawn to him because he's cautious. There's also a part in the book where Nick says that Jordan tends to prefer being with people she can dominate or pull one over on, and Nick does seem to rely on her for emotional strength at some points for example in the car when he's thinking about turning Nick and Jordan break up right at the moment when she can't control his actions —can't make him go into the house, can't make him apologize for ignoring her. Nick doesn't think that this is possible. Gatsby tells Nicks about the magical past that he wants to recreate. As soon as Gatsby kissed Daisy, all of his fantasies about himself and his future fixated solely on her.

The intense, overly romantic way Gatsby describes his first kiss with Daisy is a solid clue into his over-idealization of her as almost a fairy tale figure of perfection. He was a son of God--a phrase which, if it means anything, means just that--and he must be about His Father's Business, the service of a vast, vulgar and meretricious beauty. Here is the clearest connection of Gatsby and the ideal of the independent, individualistic, self-made man — the ultimate symbol of the American Dream.

Tom was evidently perturbed at Daisy's running around alone, for on the following Saturday night he came with her to Gatsby's party. Perhaps his presence gave the evening its peculiar quality of oppressiveness--it stands out in my memory from Gatsby's other parties that summer. There were the same people, or at least the same sort of people, the same profusion of champagne, the same many-colored, many-keyed commotion, but I felt an unpleasantness in the air, a pervading harshness that hadn't been there before.

Or perhaps I had merely grown used to it, grown to accept West Egg as a world complete in itself, with its own standards and its own great figures, second to nothing because it had no consciousness of being so, and now I was looking at it again, through Daisy's eyes. It is invariably saddening to look through new eyes at things upon which you have expended your own powers of adjustment. What for Nick had been a center of excitement, celebrity, and luxury is now suddenly a depressing spectacle. Remember that he entered the novel on a social footing similar to that of Tom and Daisy. But the rest offended her--and inarguably, because it wasn't a gesture but an emotion. She was appalled by West Egg, this unprecedented "place" that Broadway had begotten upon a Long Island fishing village--appalled by its raw vigor that chafed under the old euphemisms and by the too obtrusive fate that herded its inhabitants along a short cut from nothing to nothing.

She saw something awful in the very simplicity she failed to understand. Like Jordan, Daisy is judgmental and critical. He wanted nothing less of Daisy than that she should go to Tom and say: "I never loved you. Hang on to this piece of information — it will be important later. Instead, Gatsby expects Daisy to repudiate her entire relationship with Tom in order to show that she has always been just as monomaniacally obsessed with him as he has been with her. He looked around him wildly, as if the past were lurking here in the shadow of his house, just out of reach of his hand.

He talked a lot about the past and I gathered that he wanted to recover something, some idea of himself perhaps, that had gone into loving Daisy. His life had been confused and disordered since then, but if he could once return to a certain starting place and go over it all slowly, he could find out what that thing was. This is one of the most famous quotations from the novel. Through all he said, even through his appalling sentimentality, I was reminded of something--an elusive rhythm, a fragment of lost words, that I had heard somewhere a long time ago. For a moment a phrase tried to take shape in my mouth and my lips parted like a dumb man's, as though there was more struggling upon them than a wisp of startled air.

But they made no sound and what I had almost remembered was uncommunicable forever. Just as Gatsby is searching for an unrecoverable piece of himself, so Nick also has a moment of wanting to connect with something that seems familiar but is out of reach. This gives us a quick glimpse into Nick the character - a pragmatic man who is quick to judge others much quicker than his self-assessment as an objective observer would have us believe and who is far more self-centered than he realizes. Is there an emotional part of him that is fundamentally lacking? Let's work to connect this chapter to the larger strands of meaning in the novel as a whole. The American Dream. Motifs: Alcohol. For him, alcohol is a tool for making money and displaying his wealth and standing.

Society and Class. To Nick, the East Eggers are fundamentally different and mostly terrible:.

He doesn't fully trust in The Great Gatsby Judgmental Analysis details or really care about Daisy's story, using it only as a means of understanding Gatsby. Without The Great Gatsby Judgmental Analysis, Gatsby would have relied entirely on Nick The Great Gatsby Judgmental Analysis reach The Great Gatsby Judgmental Analysis, which would have The Great Gatsby Judgmental Analysis some of the suspense out of The Great Gatsby Judgmental Analysis motivations even though Jordan learns Gatsby's secret in Chapter 3, we don't learn it until Chapter 4. How is The Great Gatsby Judgmental Analysis narration different from Nick's? Olympic games ice hockey doesn't appear to have liked it enough to put a ring on it.

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